Friday, September 28, 2012

Friday, January 20, 2012

January 21st, 2012
Generaal Vetterstraat 66
Amsterdam, NL


Sunday, January 8, 2012

[STREET_TEAM]

Animated GIFs exist on the Internet as a small gestural movements and moments. The Animated GIF format of moving images can be used in conversation to communicate simple ideas in response to other people, other GIFs/images or even websites. They can be short samples, fractions of events or hypnotizing, timeless loops. In this project, [STREET TEAM], Animated GIFs or short video loops by artists will be used outside of the digital world, in physical spaces, to create conversations with public and private spaces. [STREET TEAM] addresses architecture as a webpage and GIFs as graffiti. [STREET TEAM] will consist of clandestine video installations that will take place throughout London, Glasgow, Berlin, Amsterdam, Antwerp and Rotterdam. The sites that will be used for installation include Tate Modern, Neues Museum and the Rotterdam Film Festival among others. The installed works will be documented and archived in a website dedicated exclusively to the project. Additionally, there will be a one-day gallery exhibition/ screening of the work in Amsterdam on (DATE/PLACE TBA) and Chicago at MT-Chicago in February.

Thursday, September 22, 2011

JHN_WHTNY_RMX


John Whitney was an experimental animator and composer. He is widely considered to be one of the fathers of computer animation. After studying music composition in Paris, he returned to the U.S. and began collaborating with his brother, James, to produce abstract animations. Their work, Five Film Exercises (1940-45) was awarded first prize at the First International Experimental Film Competition in 1949. By 1950, he was creating animation sequences for television. In 1958, he collaborated with title-sequence pioneer, Saul Bass, on the spirographic opening of Alfred Hitchcock's Vertigo. In 1966, he was awarded IBM's first artist-in-residency. Until the 1970s, most of Whitney's animations made use of a complex analog computer. By the mid-1970s his animations were made completely with digital technologies. His work often uses self-composed music that explored mystical or Native-American themes. He continued making films until his death in 1995.

Monday, September 12, 2011

$H3£BY_©Ø8®Å

New experiments in digital sculpture

Saturday, June 18, 2011

Friday, April 22, 2011

VIDEOVERSES


COME ENJOY A 4th DIMENSIONAL EXPERIENCE @ HAPPY DOG
1542 N. Milwaulkee Avenue, Chicago IL
5-10p
BYOB

Sunday, March 13, 2011

TWAKED-OUT! VIDEO+SOUND SCREENING!

SATURDAY MARCH 26TH @ THE CAT CAVE
1501 W. ADDISON ST. CHICAGO, IL
DOORS@ 7:00PM
SCREENING@ 7:45

TWAKED-OUT!

Friday, February 25, 2011

'88,923' Video Installation at the Art institute of Chicago



"An analysis by CCH Policy Director Julie Dworkin shows 88,923 Chicagoans were homeless in the course of the 2009-10 school year (through June 2010). This is 19.9 percent more than the 74,149 who were homeless in the prior, 2008-09 school year. "
-Chicago Coalition for the Homeless
[chicagohomeless.org]

Installation inside The Art Institute of Chicago, February 16, 2011.

Thousands of people in Chicago sleep on the streets every night. Often they are treated as sub-human and ignored. The economic infrastructure would be sufficient to house and aid these people, were our national budget properly distributed.

Saturday, February 19, 2011

Tuesday, February 8, 2011

2011 Interview!



2011 Interview for Art Star blog.
Check it out!
http://www.artstarblog.com/2011/02/art-of-culture-interview-with-alfredo.html

Saturday, February 5, 2011

gli.tc/h



A brief experiment in glitch.

Sunday, January 30, 2011

Thursday, January 13, 2011

Long Live The New Flesh



Silicone, PETG, Robotic Components, Video

Collaboration with Isabella Rotmann



www.alfredosalazarcaro.com